<绝代神主苏莫>至尊绝世武魂苏莫正版(官网)全集

发布于 2021-04-08 13:34

《绝代神主·至尊绝世武魂 苏莫》

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<绝代神主·至尊绝世武魂>苏莫

  苏家少主苏莫,觉醒出逆天武魂,却被认为是最低级的垃圾武魂,受尽屈辱……且看苏莫如何凭借着逆天武魂,一路崛起,一路逆袭……

我生活在南通,南通这个地方是南腔北调,兼有北人的彪悍和南人的聪明,而且这个地方文风浩荡,读书气氛比较浓郁。但是一个人的成长肯定是多方面的,我小时候喜欢书法,上大学后喜欢和研究六朝文化的人一起玩,经常一块聊天,聊嵇康、聊阮籍。南京又是六朝古都,六朝的人和事感染了我,他们的人格魅力和文人风骨,深深扎在我们这代人心里。身处我们这个时代,回过头来再看看他们,他们谈离骚、论逍遥、清谈思辨,许多中华典故都是由此产生。所以我其他都不画,就画魏晋,我喜欢那个时代,喜欢那个时代的人和事,我觉得那个时代的人很逍遥,登山临水,澄怀观道,人的精神状态非常自我,由此我就做了逍遥山水画,魏晋风骨让我一直画下去。 我们今天为什么谈逍遥、风骨?蔡元培、陈独秀、李大钊、胡适等前辈的家国情怀和超越性的品格、格调、气象,值得我们继续追寻。顾平提出“逍遥山水魏晋风骨”有一种道德感,这才是中国知识分子最高的理想和追求,通过作品看到伟大的人格,再放出风骨的光辉。顾平的逍遥山水图虽然不是文字,但可以图鉴史,同时,现实题材和顾平画的魏晋题材并不矛盾,从中我们能看到更多的精神价值和思想价值。今天这场研讨会等于给顾平的创作道路注入一些思想资源和动力,让他在这个道路上能更明确自己的艺术方位和艺术追求。希望顾平在以后的创作中,能把逍遥、风骨这些东西永不丢弃。Moreover, this place haes a strang style o writin an a strang atmosphere o readin.But a person's growth must be multifaced. When I was a child, I liked calligraphy. After I went to university, I liked to play with people who studied the culture of the Six Dynasties. I often chatted with them, Ji Kang and Ruan Ji.Nanjing is awso the ancient capital o the Six Dynasties. The fowk an events o the sax dynasties hae infected me. thair personality charm an literary style are deeply rooted in the harts o our generation.In our time, gif ye luik back at them, they taak aboot Lisao, Xiaoyao an speculation. Mony Chinese aw-usions come frae them.Sae I don't paint anything ither, I juist paint Wei an Jin Dynasties. I like that era, people an things o that era. I think people o that era are very carefree, climbing muntains an facing rivers, observing Taoism wi clear mind, an people's mental state is very sel-conscious. Therefore, I made carefree laundscape pentin. The style o Wei an Jin Dynasties maks me continue tae paint. Whit dae we taak aboot leisur an chairacter the day?Cai Yuanpei, Chen Duxiu, Li Dazhao, Hu Shi an ither predecessors' national feelins an transcendental character, style an atmosphere are worth pursuing.Gu Ping put forrit that thare is a sense o morality in "carefree muntains an rivers, chairacter o Wei an Jin Dynasties", whit is the heichest ideal an pursuit o Chinese intellectuals. Throu the warks, we can see the gey personality, an than shaw the brilliance o character.Awtho Gu Ping's Xiaoyao landscape painting is nae scrieved, it can be uised as a reference for history. At the same time, there is no contradiction atween the realistic theme an the Wei Jin theme o Gu Ping's painting, frae whit we can see mair spiritual value an ideological value.Today's seminar is tantamount to injecting some ideological resources and impetus into Gu Ping's creative road, so that he can be more clear about his artistic orientation and pursuit on this road.I hope that Gu Ping can never abandon these things in his future creation.

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